Jinmi Abduls Captures The Sweetness Of Intimacy With A Tender New Release, ‘Hold You’

 

Afro-Pop’s Jinmi Abduls returns with his second single of the summer, ‘Hold You’. This love

song opens with the kind of warmth that pulls you in immediately. Sweet rhythm drums, soft

guitar riffs and his calm, affectionate vocals come together to create a record that feels

tender, familiar and deeply romantic.

‘Hold You’ is a sweet serenade touching on closeness, comfort and the emotions that aren’t

always easy to articulate. Blending classic Afrobeats and R&B, the track finds Jinmi Abduls

leaning into the softer side of love. He captures the desire to be present and offers comfort

through every season. 

Co-produced by the talented Kuspid (Odumodublvck/Scottyolorin), and Jinmi Abduls, ‘Hold You’ carries the ease of a timeless love song. Its gentle drums and soft rhythm create a

smooth groove for Jinmi’s vocals to sit in. The track nods to classics like Teddy Pendergrass’

‘When Somebody Loves You Back’ and 2Face Idibia’s ‘Ole’. This draws on the nostalgic world

of devotion while still feeling fresh and distinctly his own.

Speaking about the release, Jinmi shares, “Making music for me is about expressing the

many emotions we feel, some of which don’t even have words to describe them. I wrote this

song to feel like a warm embrace on a stormy night. Nothing feels better”.

Now signed to Believe Music in Paris, Jinmi Abduls continues to step into a new era with

intention and clarity. Following the release of ‘Sade’ in May 2026, ‘Hold You’ solidifies a new

chapter. It offers a glimpse into the emotional world the star is building - setting the tone for

more to come.

Young Rob is in his element on new love anthem ‘My Girl’

 

 

There's a reason why Young Rob remains one of Afrobeats’ most captivating

voices, he’s the “gyal dem sugar,” and ‘My Girl’ captures that magic. Here, the crooner

keeps it suave, putting his girl on a pedestal while letting his romantic side shine through every lyric. The result is a track that feels both personal and universal, thus impossible to ignore.

Co-produced by Vaïtro and Regah, ‘My Girl’ bursts with an irresistibly catchy groove that will have you hooked from start to finish. Young Rob is in his element. His expressive lyrics and vocals relay sincere emotions that culminate in a bright track perfect for the big stage. The warmth he radiates is energizing–the kind that lights up faces and reveals a tender side. According to Young Rob, the inspiration behind ‘My Girl’ came from a simple truth:

“Finding true love these days is a real struggle,” he explains. ‘My Girl’ is about knowing

how to treat and care for a real one when you’re lucky enough to have one by your side.

It’s a blessing to find a good woman. They deserve all the love and affection they can get.”

‘My Girl’ sets the stage for another ambitious year for Young Rob. The star enjoyed multiple successes last year, releasing a string of hits–’Show Me (Remix)’ featuring Sada, ‘Cali Girl’ featuring Lonzo Starr, the Daft Punk-esque ‘Just Dance,’ and the explosive ‘Fire Dey.’ As a result, fans can expect an equally active year from the ‘Freakiana’ hitmaker. 

HARSHTERG DECLARES A NEW ERA WITH EXPLOSIVE NEW SINGLE "CARTER"

 

Port Harcourt-bred artist steps fully into his unfiltered self on a raw Afrobeats anthem built for the internet generation.

PORT HARCOURT, NIGERIA — Harshterg, the Alte trailblazer and creative force behind the SpiggVerse movement, is announcing the release of his bold new single, "Carter"— a declaration of intent, a shift in energy, and the opening statement of a new chapter he calls the Buffterg Era.

Inspired by the chaotic cultural impact of viral sensation Carter Efe, "Carter" is what happens when an artist stops playing it safe. Built on raw Afrobeats drums and street-inspired rap melodies rooted in Port Harcourt, the record blends humor, hunger, and real-life pressure into something aggressive, catchy, and completely unfiltered. It is louder, wilder, and more committed than anything Harshterg has put out before — music designed to be seen as much as heard.

"If you no get money you be bastard / Na why I wan mad just like Carter"

The hook cuts straight to the bone — a sharp, street-honest observation about money, visibility, and the lengths people go to be taken seriously. The track doesnt stop there. A vocal-inspired bridge references Carter Efe directly, deepening the rebellious, internet-native energy that runs through the entire record;

"Them off my light I on inverter / You dey whine PH boy you know the matter"

"Carter" is not just a single — it is a statement of identity. With it, Harshterg formally enters the Buffterg Era, a new phase of his sound and personality built around four pillars: confidence, chaos, culture, and visibility.

About Harshterg

Known affectionately as "The Spigg", Harshterg is an Alte trailblazer redefining the sound of Nigeria South-South. Born on December 25th and raised in Port Harcourt, he began making music in 2019, crafting a unique voice that fuses soulful melodies, abstract storytelling, and experimental production. With over 200,000 streams across platforms, his catalogue blurs genre lines — weaving Afro-fusion, trapsoul, and alternative influences into something unmistakably his own.

He is the founder of the SpiggVerse media collective and commands a loyal fanbase known as the Spiggas. In 2025, he spearheaded SouthSyd, a groundbreaking compilation album spotlighting emerging voices from Port Harcourt and the wider South-South region — cementing his role not just as an artist, but as a curator of movements.

Inusa Dawuda leans into lovers rock reggae on smooth new song ‘Daylight’

 

Inusa is a multi talented singer, songwriter, saxophonist. Known internationally for

his unique fusion of House music, Reggae, Funk and Afro-inspired rhythms, Inusa

once again delivers a sound designed for movement, celebration and emotional

escape.

‘Daylight’ carries the unmistakable uplifting energy that has defined much of his

catalog over the years. Built around infectious grooves, catchy hooks and breezy

instrumentation, the single combines smooth vocal melodies with sunny guitar riffs

and warm horn arrangements that instantly evoke beach settings, tropical nightlife

and carefree summer experiences.

Produced by Olaf Kruegel, the song balances modern lovers-rock appeal with classic

Reggae influences, creating a crossover sound that feels both nostalgic and fresh.

For Inusa’s longtime fans, ‘Daylight’ also marks a return to the reggae-infused

direction that helped shape some of Inusa’s most celebrated releases, including

‘Rumours (Digi Digi)’, ‘Morning Light’, ‘Going Back to My Roots’, ‘Rub-A-Dub Girl’

and ‘Walking on Sunshine’. These tracks helped establish his reputation for creating

music that seamlessly bridges club culture with positive, feel-good storytelling.

Lyrically and musically, ‘Daylight’ embraces themes of freedom, joy and human

connection. The track’s atmosphere encourages listeners to let go of pressure and

immerse themselves in rhythm, movement and optimism. It is music built for open-air

festivals, coastal drives and dance floors that stay alive until sunrise. The music

video complements the song’s warm and uplifting mood with vibrant visuals that

reflect the carefree essence of the track. Scenes of the beach, outdoor celebration

visualizes the message in the song. 

Its bright aesthetic, relaxed energy and celebratory tone reinforce the song’s

message of positivity and escape, creating a complete audio-visual experience

rooted in feel-good summer culture. With ‘Daylight,’ Inusa Dawuda proves once

again why his genre-blending sound continues to resonate across different

audiences. By revisiting the Reggae influences that helped define his earlier success

while maintaining his signature house-driven energy, he delivers a single that feels

timeless, refreshing and ready to soundtrack the season.

DJ Slim Jerry: the Ghanaian cultural bridge-builder steering Afrobeats into new waters with ‘Abonteen’

 

The veteran DJ has long been an architect of New York’s Afrobeats scene. This

summer, he’s raising the temperature with the sun-drenched vibes of ‘Abonteen,’ a track

that showcases his mastery of the genre and hints at its possible future.

With summer fast approaching, one track is racing to define it: the kinetic ‘Abonteen,’ a

song that distills the very essence of Afrobeats and ventures into new territory. For

culture loyalists, this comes as no surprise. DJ Slim Jerry has been instrumental in the

genre’s rise overseas. For over two decades, the man of the hour–born Jerry Adu–has

carried the sound of Accra into the heart of the Bronx, becoming the borough’s most

celebrated Ghanaian DJ. Now, with ‘Abonteen,’ he’s channeling that legacy into a bold

anthem that captures the thrill of being outside.

But don’t take our word for it. Slim Jerry’s portfolio speaks volumes about his influence.

The Bronx native has shared stages with some of Ghana’s most celebrated acts:

Grammy-nominated Stonebwoy, the “Dancehall King” Shatta Wale, Hip-Hop/Hiplife duo

R2Bees, Prince Bright of BukBak, Tinny, and Obrafour, alongside DJ Tunez (Wizkid’s

official DJ) and Kizz Daniel. Each collaboration highlights a simple truth: DJ Slim Jerry

commands respect among his peers as a cultural bridge linking Afrobeats’ epicenters to

New York’s music scene.

So where does ‘Abonteen’ fit in? Well, it’s more a statement than a nod to his legacy.

The track arrives at a time when the global appetite for Afrobeats is at its peak. Named

after the Akan word for “outside,” it captures the irresistible pull of the streets,

encapsulating the same energy that fuels Detty December. Beneath the song’s

infectious rhythms, however, lies Slim Jerry’s next frontier: Afro House. The DJ is

experimenting with ways to blur the line between West Africa’s nightlife scene and the

Bronx’s musical heritage, crafting a sonic landscape that mirrors Afrobeats’ evolution

beyond borders.

What’s next is anyone’s guess, but ‘Abonteen’ offers a glimpse of that future. No

wonder Slim Jerry calls his latest a “love letter to every soul who lives for the

moment.” With its sun-drenched melodies and instant Quotables, he couldn’t be more

right. The song sparks movement, the kind that can turn any open-air venue into a

bustling dancefloor. It’s clear ‘Abonteen’ was destined to own the season, and the

maestro reminds us why: “‘Abonteen’ is for anyone who knows what it feels like

when the warmth hits and it’s time to step outside for a ride,” he says. “That fizzy

energy is bottled up in this song.”

"DIE LIT" EP by Raphcool ; A Raw Dive Into Youth Culture, Lifestyle, and Late Night Energy

 

Nigerian Afropop artist Raphcool is set to release his new EP, Die Lit, a four-track project that captures the intensity of youth, nightlife, rebellion, and modern lifestyle culture through infectious melodies and high-energy production.

The EP features four records “Molly,” “Hard,” “Bü Berry” featuring NEOMAH, and “Lifestyle” featuring FEGOR WLMS each contributing to the project’s dark, energetic, and emotionally reckless atmosphere. Blending elements of Afropop, trap-inspired rhythms, melodic rap, and nightlife aesthetics, Die Lit presents Raphcool in his most unapologetic form yet.

Built around themes of freedom, chaos, pleasure, confidence, and emotional detachment, the EP reflects the mindset of a generation living fast and expressing themselves without limits. From the hypnotic bounce of “Hard” to the melodic chemistry on “Bü Berry,” Die Lit positions Raphcool as one of the emerging voices exploring a more alternative and youth-driven side of contemporary African music.

Speaking on the project, Raphcool describes Die Lit as:

“A lifestyle, a feeling, and the sound of being young without restrictions.”

With its rebellious tone, catchy hooks, and immersive sonic direction, Die Lit is designed for late nights, loud speakers, and listeners drawn to music that feels raw, expressive, and unfiltered.

LISTEN TO DIE LIT EP

RCee announces “Young Daddy” EP set for Release

 

Ghanaian Highlife artist, RCee has announced the release of his upcoming extended

play (EP), titled “Young Daddy”, scheduled to drop on April 15, 2026.

The six-track project is expected to showcase the singer’s evolving sound, as he

continues to blend contemporary influences with the rich, traditional elements of

Highlife. Over the past year, RCee has steadily built a reputation for delivering music

that resonates across different audiences, positioning himself as one of the promising

voices within the genre.

The announcement follows the impact of his previous releases, including ‘Agenda’ and

‘Atiaa’ which generated conversations within the music space and contributed to the

growing momentum around his artistry.

According to the artist, “Young Daddy” reflects a more personal and intentional phase of

his career, capturing his growth both musically and individually.

Described as one of his most defining bodies of work yet, the upcoming EP is

anticipated to reflect RCee’s growth, storytelling depth and commitment to pushing

Highlife into a new era. Earlier reports have also hinted that the project represents a

more honest and direction-setting phase of his career.

With April 15 fast approaching, fans and industry stakeholders alike are eager to

experience what could be a pivotal release in RCee’s rise as one of Ghana’s leading

voices in modern Highlife.

ABOUT RCee

RCee, born Austin Antwi Boakye, is one of the fresh voices shaping Ghana’s new-

school sound. Raised in Bremang, Kumasi and now based in Accra, his music sits right

at the intersection of Afrobeats, Highlife and Afro-fusion.

He started building momentum with early drops that felt honest and easy to connect

with, the kind you play on late-night drives or soft life days. His debut EP “How Did We

Get Here?” put him on the map, blending themes of love, growth, gratitude and ambition

into a sound that’s both soulful and addictive. Tracks like ‘Knees & Bend’, ‘Amazing’ and

‘Blessings’ quickly became fan favorites, defining his signature calm-but-catchy energy.

Inspired by Ghana’s musical roots but fully tapped into the current African wave, RCee

represents a new generation of artists who are intentional, versatile and here for

longevity, not just hype.

Azonto’s unfinished business: why it deserves a global reintroduction

 

There was a time when you couldn’t attend a party in Accra without hearing the first

few drums of Azonto and watching the entire room transform.

Azonto wasn’t just a genre. It was a movement.

Born from the streets and coastal communities of Ghana, Azonto blended rhythm,

humor, storytelling and dance into one unforgettable cultural export. It turned

everyday gestures into choreography. It made a local slang global and gave

Ghanaians a soundtrack that felt proudly ours, loud, confident, playful, and

unapologetic.

When songs like ‘U Go Kill Me’ by Sarkodie hit the airwaves, it didn’t just dominate

Ghana, it traveled. And when E.L fused rap, melody and dance rhythms into club-

ready records, Azonto evolved from a dance craze into a mainstream sonic force.

Producers built beats specifically for it, dancers created identities around it, the

diaspora amplified it. For a moment, Azonto was Ghana’s loudest cultural statement

to the world.

Honorable mentions to E.L – Obuu Mo and Kaalu, Guru – Lapaz Toyota, R2Bees –

Life (Walaahi), Stay Jay – Shashee Wowo, Keche – Aluguntugui, Gasmilla –

Telemo, Fuse ODG – Antenna, Edem – Over Again, Kwaw Kese – Let Me Do My

Thing.

Fuse ODG played a pivotal role in taking Azonto beyond Ghana’s borders. With his

breakout single ‘Antenna’, he introduced the Azonto sound and dance to the UK

mainstream and wider international audience. The record wasn’t just a hit, it became

a cultural export, placing Ghanaian rhythm on global charts and dance floors. At a

time when African music was still fighting for global space, Fuse ODG made Azonto

visible, commercial, and undeniable.

And then, it faded…

Not because it lacked power. Not because it lacked global appeal, but because

trends shifted. Afrobeats expanded, the industry chased new sound, and consumers

craved something different. Today, many describe Azonto as “abandoned.” The

drums that once shook events now feel nostalgic. Younger audiences may know the

moves, but not the origin. Yet the core ingredients that made Azonto explode still

exist: strong percussive Ghanaian rhythm, dance-driven identity, cultural storytelling

viral potential.

In fact, in today’s TikTok and short-form video era, Azonto might be more positioned

for global impact than ever before. It was built for virality before virality was even a

strategy.

The conversation now is revival and not repetition.

Reviving Azonto doesn’t mean recreating 2012. It means refining the sound,

modernizing the production, collaborating across borders, and positioning it

intentionally. It means: updated production quality, strategic international

collaborations, strong branding tied to Ghanaian identity, leveraging digital dance challenges, and

 owning the narrative. Globally, audiences respond to authenticity.

Look at how Amapiano became a worldwide force and there’s dancehall cycling

back. Sounds rooted in culture travel when positioned with clarity and consistency.

The genre doesn’t need saving. It needs strategy.

Artists who once carried it and the new generation watching have an opportunity. A

refined Azonto 2.0 could merge with contemporary Afrobeats, drill, or even electronic

influences while maintaining its Ghanaian heartbeat. Artists like DopeNation

represent a newer generation that understands the pulse of Azonto but modernizes it

for today’s audience. Their sound blends classic Azonto drum patterns with

Afrobeats bounce, catchy hooks, and high-energy production. What makes them

stand out is their ability to create dance-driven records that feel both nostalgic and

current at the same time. In many ways, their style proves that Azonto doesn’t need

to be revived from scratch, it simply needs to be refreshed and strategically pushed

again.

Azonto was never just a dance. It was identity, confidence, and Ghanaian creativity

packaged in rhythm. It gave us global moments, viral choreography, and records that

still move crowds today. What changed wasn’t the quality, it was the positioning.

With the right production value, intentional branding, and strategic international

collaborations, Azonto can thrive again. The world is already dancing to African

rhythms; Ghana doesn’t need to reinvent itself; it needs to refine and reintroduce

what it already perfected. The revival of Azonto is not about going backward. It’s

about recognizing unfinished global business.

If positioned well, Azonto could move from nostalgia to renaissance. And when that

drum pattern drops again, not as a throwback, but as a reintroduction, the world will

remember.

Because Azonto was never just a trend. It was and still can be a statement!!!

Story by: Jennifer Elorm

Kay Kamz is carving her own lane with Afro-inspired sounds.

 

A new voice is steadily carving out space within the evolving Afro music landscape

and that voice belongs to Kay Kamz.

Born Kate Addai Mununkum in Amsterdam to Ghanaian parents, Kay Kamz

represents a generation of artists whose identities stretch across cultures. With one

foot rooted in Ghanaian heritage and the other shaped by European influences, her

music naturally reflects that duality, blending traditional inspiration with modern

global sounds.

As a singer and songwriter, Kay Kamz moves comfortably across genres. She

weaves together elements of Afrobeats, Highlife, Afropop and Afro-soul. The result is

a sound that feels rhythmic and vibrant while still carrying emotional weight. Her

music often leans into themes of love, personal reflection, and the complexities of

human connection which she delivers through expressive vocals and honest

storytelling.

Her journey as a recording artist took a defining step on April 8, 2022, when she

released her debut project, “The Love Partner” EP. The project served as an early

introduction to her artistic direction, presenting songs that explored relationships,

vulnerability and emotional growth. With its melodic depth and relatable narratives,

the EP quietly positioned her as an emerging voice worth paying attention to within

the Afro music space.

She continued building on that momentum with the release of ‘The Way You Love

Me’ in July 2025: a record that reflects both confidence and artistic maturity. The

single highlights her evolving songwriting ability while reinforcing her signature

approach: emotionally driven music layered over contemporary Afro-inspired

production.

With each release, Kay Kamz is steadily shaping her identity as an artist who values

sincerity just as much as sound. Her music carries the warmth of Ghanaian musical

traditions while embracing the modern energy of today’s Afro-fusion movement. As a

new wave of Ghanaian artists continues to expand the reach of Afro music around

the world, Kay Kamz is carving her own lane, guided by authenticity, emotional

honesty and a clear creative vision.

With her sound continuing to evolve and her creative direction becoming clearer with

each release, Kay Kamz is entering an exciting new chapter. As she prepares to

unveil more music in the near future, listeners can expect deeper storytelling, richer

melodies and the same emotional honesty that has begun to define her artistry. If her

journey so far is anything to go by, the next wave of music from Kay Kamz promises

to further reveal the depth of her craft, and solidify her place among the emerging

voices shaping the future of Afro music.

E.L signs publishing deal with Sony Music Publishing West Africa.

 

Multiple award-winning Ghanaian rapper and producer, E.L has signed a major
publishing deal with Sony Music Publishing West Africa, marking a significant new
chapter in his career and positioning his catalogue for expanded global reach.
The partnership aligns E.L with one of the world’s leading music publishing
companies, renowned for supporting songwriters and creators through global
licensing, royalty administration, and creative collaborations. Through this deal, Sony
Music Publishing West Africa will manage and optimize E.L’s extensive body of work
across key international markets.

E.L now joins an impressive roster of African and global talents under Sony Music
Publishing, including Wizkid, Tems, Sarkodie, Lojay, 1da Banton, and acclaimed
producer, MOG Beatz, further highlighting the growing global visibility of West
African music talent.

The agreement was reached following several months of discussions and
negotiations between E.L, his representatives, and senior executives at Sony Music
Publishing. According to parties involved, the deal reflects E.L’s exceptional standing
in the industry and the strength of his catalogue, widely regarded as one of the most
valuable by any artist in the sub-Saharan region. Brokered in conjunction with
Skillions Global, the partnership ensures that E.L’s music is properly administered,
protected, and strategically positioned worldwide, with a focus on long-term value
creation and sustainable growth.

Speaking on the partnership, E.L shared: “This partnership represents a strategic
evolution in my career. After years in the industry, it was important for me to
align with a publisher that brings global infrastructure, operational efficiency,
and long-term vision. Sony provides that, while allowing me to remain focused
on creating and growing my catalogue.”

He added: “This wasn’t a rushed decision. We took the time to evaluate,
negotiate, and structure the right terms with experienced legal guidance.
Sony’s reputation, transparency, and respect for creators gave me confidence
that this was the right partnership at this stage of my career.”

Addressing the broader industry context, E.L emphasized the importance of
protection and clarity: “Given the current climate in the industry, it was critical
that this deal was approached with clarity and protection. This is a publishing
partnership designed to support my work, not restrict it.”

In recent years, conversations within Ghana’s music industry have increasingly
focused on the need for stronger structures around publishing, rights administration,
and fair value for creators. Many artists and labels across the region have
highlighted the importance of transparent partnerships that protect intellectual
property while supporting sustainable growth. E.L’s partnership with Sony Music
Publishing West Africa reflects this evolving approach, one that prioritizes clarity,long-term value, and global best practices. The agreement allows E.L to retaincreative autonomy while benefiting from Sony Music Publishing’s global reach and collaborative network.

“Moving forward, this partnership will streamline operations, open up high-level collaboration opportunities, and position my work for stronger international growth,” he said.

E.L’s signing further deepens the increasing presence of Ghanaian and West African creators within the global music ecosystem and reinforces the region’s growing influence on the world stage.

The Mitch Brothers celebrate #MB28 with renewed impetus under Smile4mation

The Mitch Brothers mark their 28th birthday celebration with a strong sense of purpose,

and the internet is responding accordingly.

   Nana Mitch and Schardo Mitch have gained notoriety online for their often-flamboyant

annual celebrations. This year, however, the two have chosen a humbler path–a striking

departure from the spectacles of years gone by. Rather than flashy private parties or

quirky photoshoots, the brothers turned instead to philanthropy and community impact.

The duo amplified their charitable initiative, Smile4mation, dedicating MB28 to uplifting

Grace, a mother of four whose heart-wrenching story went viral.

According to the brothers, what everyone saw was only the beginning. “MB28 is all

about Smile4mation,” the brothers declared. They partnered with Electroland Ghana

Limited and Homeland to help restore hope to Grace, covering everything from a

complete home renovation to furnishings and seed capital for business opportunities.

The scale led many to describe the effort as Smile4mation’s most ambitious yet, a shot

in the arm for the impact MB28 seeks to establish.

With tens of thousands of Ghanaians rallying behind the movement, Smile4mation has

become a massive success, drawing widespread attention online. It is swiftly

conquering the internet with love, bringing communities together under the banner of

kindness and restoring the dignity of the forgotten, one video at a time.

As the Mitch Brothers redefine their annual celebration and spin it into a legacy of

compassion, their actions highlight a newfound responsibility to transform lives and

uplift others. Reflecting on the shift, they explained: “Birthdays have always been

personal for us, but Smile4mation changed that. We wanted to reiterate that

kindness is the most powerful gift of all. Grace’s story reminded us to keep

spreading positivity wherever we go: a message we feel is in line with our theme

for MB28.”

BELLA SHMURDA’S ‘HOLY JAH’ IS A SURVIVAL PRAYER FOR YOUNG NIGERIANS

 

Renowned street pop figure and Dangbana Republik leader Bella Shmurda returns with his latest single “Holy Jah” set for release on August 28, 2025. This powerful anthem captures the raw survival instinct of young Nigerians navigating life’s chaos with unwavering determination.

2025 has been a landmark year for Bella Shmurda. At the helm of Dangbana Republik, he’s nurtured rising star Fola, whose breakout single “Alone” currently ranks in Nigeria’s Apple Music Top 5 and stands as a top emerging act on TurnTable Charts. Yet, throughout his role as label boss and culture custodian, Bella has never veered from his roots as the fearless voice of street pop.

“Holy Jah” is a gritty, lens-driven survival anthem; less about hustle and more about holding on through hardship. With its raw delivery and spiritual undertones, the track echoes the resilience of a generation grappling with financial strain, societal pressure, and existential challenges, all while maintaining hope. Its arrival is particularly timely: just weeks before the 5-year anniversary of Bella’s debut album, this release taps into his legacy of defiance and relevance. Delivered with spiritual conviction, it's a reminder that survival isn’t passive but sacred. More than a single, “Holy Jah” announces a turning point. It’s the opening salvo of a new artistic era for Bella: bolder sound, purposeful storytelling, and a continued mission to elevate the streets not just through music, but through connection.

STREAM HOLY JAH HERE

Nigerian Afro fusion Artiste UWA Set to Drop New Single “Tic Toc”

Nigerian Afro fusion artiste UWA is ready to make waves again with the release of his latest single, “Tic Toc”, set to drop this Friday across all major streaming platforms.

Produced by the dynamic production duo Kbeats and Xrmani, “Tic Toc” is a smooth and rhythmic blend of Afro fusion, Afro R&B, and Afro swing. The track fuses bouncing percussion with soulful melodies and emotionally raw lyricism. UWA reflects on the theme of time and emotional timing in relationships speaking to moments of hesitation, longing, and the push-and-pull between love and vulnerability.

Speaking about the track, UWA shares:

"‘Tic Toc’ is about that mental countdown we all feel when emotions are high. It's that moment when you’re waiting for a sign… wondering if it’s time to move, to speak, or to let go. I wanted the sound to carry that tension, but still stay vibe-heavy and easy to play on repeat."

Over the past year, UWA has been carving out a niche for himself with his distinctive vocal tone and genre-fluid sound seamlessly blending Afro beats, R&B, and swing-inspired rhythms.

“Tic Toc” follows a string of singles that have seen UWA build a steady fan base both online and offline. With this new release, he’s poised to reach even wider audiences, both in Nigeria and across the global Afrobeats scene.

STREAM TIC TOC HERE