HARSHTERG DECLARES A NEW ERA WITH EXPLOSIVE NEW SINGLE "CARTER"

 

Port Harcourt-bred artist steps fully into his unfiltered self on a raw Afrobeats anthem built for the internet generation.

PORT HARCOURT, NIGERIA — Harshterg, the Alte trailblazer and creative force behind the SpiggVerse movement, is announcing the release of his bold new single, "Carter"— a declaration of intent, a shift in energy, and the opening statement of a new chapter he calls the Buffterg Era.

Inspired by the chaotic cultural impact of viral sensation Carter Efe, "Carter" is what happens when an artist stops playing it safe. Built on raw Afrobeats drums and street-inspired rap melodies rooted in Port Harcourt, the record blends humor, hunger, and real-life pressure into something aggressive, catchy, and completely unfiltered. It is louder, wilder, and more committed than anything Harshterg has put out before — music designed to be seen as much as heard.

"If you no get money you be bastard / Na why I wan mad just like Carter"

The hook cuts straight to the bone — a sharp, street-honest observation about money, visibility, and the lengths people go to be taken seriously. The track doesnt stop there. A vocal-inspired bridge references Carter Efe directly, deepening the rebellious, internet-native energy that runs through the entire record;

"Them off my light I on inverter / You dey whine PH boy you know the matter"

"Carter" is not just a single — it is a statement of identity. With it, Harshterg formally enters the Buffterg Era, a new phase of his sound and personality built around four pillars: confidence, chaos, culture, and visibility.

About Harshterg

Known affectionately as "The Spigg", Harshterg is an Alte trailblazer redefining the sound of Nigeria South-South. Born on December 25th and raised in Port Harcourt, he began making music in 2019, crafting a unique voice that fuses soulful melodies, abstract storytelling, and experimental production. With over 200,000 streams across platforms, his catalogue blurs genre lines — weaving Afro-fusion, trapsoul, and alternative influences into something unmistakably his own.

He is the founder of the SpiggVerse media collective and commands a loyal fanbase known as the Spiggas. In 2025, he spearheaded SouthSyd, a groundbreaking compilation album spotlighting emerging voices from Port Harcourt and the wider South-South region — cementing his role not just as an artist, but as a curator of movements.

Inusa Dawuda leans into lovers rock reggae on smooth new song ‘Daylight’

 

Inusa is a multi talented singer, songwriter, saxophonist. Known internationally for

his unique fusion of House music, Reggae, Funk and Afro-inspired rhythms, Inusa

once again delivers a sound designed for movement, celebration and emotional

escape.

‘Daylight’ carries the unmistakable uplifting energy that has defined much of his

catalog over the years. Built around infectious grooves, catchy hooks and breezy

instrumentation, the single combines smooth vocal melodies with sunny guitar riffs

and warm horn arrangements that instantly evoke beach settings, tropical nightlife

and carefree summer experiences.

Produced by Olaf Kruegel, the song balances modern lovers-rock appeal with classic

Reggae influences, creating a crossover sound that feels both nostalgic and fresh.

For Inusa’s longtime fans, ‘Daylight’ also marks a return to the reggae-infused

direction that helped shape some of Inusa’s most celebrated releases, including

‘Rumours (Digi Digi)’, ‘Morning Light’, ‘Going Back to My Roots’, ‘Rub-A-Dub Girl’

and ‘Walking on Sunshine’. These tracks helped establish his reputation for creating

music that seamlessly bridges club culture with positive, feel-good storytelling.

Lyrically and musically, ‘Daylight’ embraces themes of freedom, joy and human

connection. The track’s atmosphere encourages listeners to let go of pressure and

immerse themselves in rhythm, movement and optimism. It is music built for open-air

festivals, coastal drives and dance floors that stay alive until sunrise. The music

video complements the song’s warm and uplifting mood with vibrant visuals that

reflect the carefree essence of the track. Scenes of the beach, outdoor celebration

visualizes the message in the song. 

Its bright aesthetic, relaxed energy and celebratory tone reinforce the song’s

message of positivity and escape, creating a complete audio-visual experience

rooted in feel-good summer culture. With ‘Daylight,’ Inusa Dawuda proves once

again why his genre-blending sound continues to resonate across different

audiences. By revisiting the Reggae influences that helped define his earlier success

while maintaining his signature house-driven energy, he delivers a single that feels

timeless, refreshing and ready to soundtrack the season.

DJ Slim Jerry: the Ghanaian cultural bridge-builder steering Afrobeats into new waters with ‘Abonteen’

 

The veteran DJ has long been an architect of New York’s Afrobeats scene. This

summer, he’s raising the temperature with the sun-drenched vibes of ‘Abonteen,’ a track

that showcases his mastery of the genre and hints at its possible future.

With summer fast approaching, one track is racing to define it: the kinetic ‘Abonteen,’ a

song that distills the very essence of Afrobeats and ventures into new territory. For

culture loyalists, this comes as no surprise. DJ Slim Jerry has been instrumental in the

genre’s rise overseas. For over two decades, the man of the hour–born Jerry Adu–has

carried the sound of Accra into the heart of the Bronx, becoming the borough’s most

celebrated Ghanaian DJ. Now, with ‘Abonteen,’ he’s channeling that legacy into a bold

anthem that captures the thrill of being outside.

But don’t take our word for it. Slim Jerry’s portfolio speaks volumes about his influence.

The Bronx native has shared stages with some of Ghana’s most celebrated acts:

Grammy-nominated Stonebwoy, the “Dancehall King” Shatta Wale, Hip-Hop/Hiplife duo

R2Bees, Prince Bright of BukBak, Tinny, and Obrafour, alongside DJ Tunez (Wizkid’s

official DJ) and Kizz Daniel. Each collaboration highlights a simple truth: DJ Slim Jerry

commands respect among his peers as a cultural bridge linking Afrobeats’ epicenters to

New York’s music scene.

So where does ‘Abonteen’ fit in? Well, it’s more a statement than a nod to his legacy.

The track arrives at a time when the global appetite for Afrobeats is at its peak. Named

after the Akan word for “outside,” it captures the irresistible pull of the streets,

encapsulating the same energy that fuels Detty December. Beneath the song’s

infectious rhythms, however, lies Slim Jerry’s next frontier: Afro House. The DJ is

experimenting with ways to blur the line between West Africa’s nightlife scene and the

Bronx’s musical heritage, crafting a sonic landscape that mirrors Afrobeats’ evolution

beyond borders.

What’s next is anyone’s guess, but ‘Abonteen’ offers a glimpse of that future. No

wonder Slim Jerry calls his latest a “love letter to every soul who lives for the

moment.” With its sun-drenched melodies and instant Quotables, he couldn’t be more

right. The song sparks movement, the kind that can turn any open-air venue into a

bustling dancefloor. It’s clear ‘Abonteen’ was destined to own the season, and the

maestro reminds us why: “‘Abonteen’ is for anyone who knows what it feels like

when the warmth hits and it’s time to step outside for a ride,” he says. “That fizzy

energy is bottled up in this song.”

"DIE LIT" EP by Raphcool ; A Raw Dive Into Youth Culture, Lifestyle, and Late Night Energy

 

Nigerian Afropop artist Raphcool is set to release his new EP, Die Lit, a four-track project that captures the intensity of youth, nightlife, rebellion, and modern lifestyle culture through infectious melodies and high-energy production.

The EP features four records “Molly,” “Hard,” “Bü Berry” featuring NEOMAH, and “Lifestyle” featuring FEGOR WLMS each contributing to the project’s dark, energetic, and emotionally reckless atmosphere. Blending elements of Afropop, trap-inspired rhythms, melodic rap, and nightlife aesthetics, Die Lit presents Raphcool in his most unapologetic form yet.

Built around themes of freedom, chaos, pleasure, confidence, and emotional detachment, the EP reflects the mindset of a generation living fast and expressing themselves without limits. From the hypnotic bounce of “Hard” to the melodic chemistry on “Bü Berry,” Die Lit positions Raphcool as one of the emerging voices exploring a more alternative and youth-driven side of contemporary African music.

Speaking on the project, Raphcool describes Die Lit as:

“A lifestyle, a feeling, and the sound of being young without restrictions.”

With its rebellious tone, catchy hooks, and immersive sonic direction, Die Lit is designed for late nights, loud speakers, and listeners drawn to music that feels raw, expressive, and unfiltered.

LISTEN TO DIE LIT EP