COLOSSUS BLOG
Friday, 23 October 2026
Multidisciplinary creative Zed Benson collaborates with CultureCon’s creative collective in New York
Friday, 16 October 2026
SOLIZ BLAZE SET TO RELEASE "MY WAY"
Soliz Blaze is set to release his next single “My Way” which features street sensation Ruhdee. My Way is a deeply personal and aspirational record that communicates the state of mind of both artists. The Jadu produced record is built on a grand arrangement of horns and chords layered over rhythmic trap arrangement. The song discusses the pursuit of success and the challenges of everyday struggle with the optimism of eventually making it. “On my way to the top, everyday make dey work,” Soliz Blaze sing on the hook reinforcing the song’s central message: the journey is still ongoing, but the destination remains firmly in sight
Soliz Blaze delves into themes of resilience, self-reflection, and ambition, creating a project that invites listeners into his world while connecting universally. With this release, Soliz Blaze aims to set a foothold as one of the new voices for the Nigerian youths in the street, capable of translating personal experience into music that inspires, entertains, and resonates.
YARDEN STEPS INTO HIS DEBUT ALBUM ERA WITH “SO DAMN FINE,” A RETRO-TINGED INTRODUCTION TO ANGEL
After building an audience through millions of streams across his previous singles and EP, Yarden is ready to introduce the world to his most complete musical statement yet. Following Sunset In Paris, he shared So Damn Fine, the preceding singles from his debut album,
So Damn Fine immediately reveals one of the ideas at the heart of ANGEL; Yarden may be Gen Z, but his range didn't ignite from modern music.
Opening with retro-pop textures reminiscent of an earlier era of pop and R&B, the record pairs nostalgic instrumentation with Yarden’s distinctly contemporary Afropop delivery. Layered male and female backing vocals surround the production, while chants of “sexy” and “Yarden baby” give the record the feeling of a performance unfolding around him.
At its centre is a woman who knows exactly who she is. Yarden describes her as “sexy, special, smart and highly intellectual” before turning the record’s central question back on himself: “You get plenty money, can you spend it on me?”
It is playful, confident and intentionally cheeky, but beneath that is Yarden’s admiration for a woman whose attraction goes beyond appearance.
Sonically, So Damn Fine offers the first glimpse into the wider world of ANGEL. Across the forthcoming 13-track album, Yarden moves through Afropop, Afrosoul and Alternative R&B, drawing from the warmth and musicianship of earlier generations while interpreting those influences through the perspective of a young contemporary artist.
That contrast runs throughout the project: old and new, romance and sensuality, intimacy and movement, nostalgia and Gen-Z immediacy.
More importantly, ANGEL
Gingsen blends Brazilian funk and African Rhythms on ‘Lambo Woes’
Wednesday, 7 October 2026
Entertainment Week Ghana 2026 kicks off with second Creative Economy Incubator
Entertainment Week Ghana has officially kicked off its 2026 edition with the return of its
Creative Economy Incubator and Deal Room for a second year, continuing its mission
to connect Ghana’s creative industries with business, technology, capital and
institutional support.
Following its inaugural edition in 2025, Entertainment Week Ghana is returning with an
expanded programme spanning entrepreneurship, investment, music, fashion, film,
visual arts and live experiences. The 2026 edition will include the Creative Economy
Incubator and Deal Room, Entertainment Week Ghana Summit, an art exhibition in
partnership with Sankofa Gallery, the second edition of Atalé and the return of Airwaves.
The Creative Economy Incubator was introduced during the first Entertainment Week
Ghana to identify and support entrepreneurs building businesses, technology and
solutions for the creative industries. The inaugural programme attracted more than 50
submissions, with Seudio emerging as the winner and receiving GHS 50,000 to support
the development of its business.
For its second edition, the Incubator and Deal Room will continue connecting selected
entrepreneurs with expertise, mentorship and opportunities across technology, artificial
intelligence, finance, legal, monetisation, business development and investment.
Partners supporting the wider Incubator and Deal Room ecosystem include Paystack,
WeWire and Google, bringing technology and business expertise into the programme.
The initiative reflects Entertainment Week Ghana’s broader ambition to move the
conversation around Ghanaian creativity beyond talent and visibility towards the
businesses, infrastructure, technology and capital required to build a sustainable
creative economy.
Building on the inaugural Entertainment Week Ghana
Entertainment Week Ghana launched in 2025 as a multi-day platform connecting
Ghana’s music, fashion, film, art and wider creative industries with business,
investment and institutional support. The inaugural edition received backing from the
Ghana Tourism Authority, Black Star Experience, National Film Authority and Ministry
of Youth Development and Empowerment, with Konica Minolta serving as a major sponsor.
Strategic collaborators included Ashesi Student Council, Bravado, Akuna Pod and Lynx Entertainment. The
official launch brought together figures from government, entertainment and the wider
creative sector, including Minister for Youth Development and Empowerment George
Opare-Addo and media personality Abeiku Santana, signalling the platform’s intention
to connect creatives with institutions, policymakers and business leaders.
The inaugural Entertainment Week Ghana Summit subsequently brought some of
Ghana’s most influential creative and business voices into one space. Participants
included internationally recognised Ghanaian artist Ibrahim Mahama, AfroFuture CEO
Abdul Karim Abdullah, GUBA Enterprise CEO Dentaa Amoateng, Rex Omar, Jewel
Thompson and other industry leaders.
Executives and representatives connected to major global brands including Hennessy
and Diageo also participated, bringing the corporate and commercial side of the creative
economy into conversations around the future of Ghanaian entertainment and culture.
Atalé brings fashion, culture and nightlife together
Fashion became another major pillar of the inaugural edition through the Atalé Fashion
Party, which brought designers, personalities and cultural figures together for a different
approach to presenting African fashion. The programme featured brands and designers
including Christie Brown, Free The Youth, Bloom by Edzi, Kula Perry and Atto Andoh,
alongside personalities including Salma Mumin, Mauli Gavor and Nana Akua Addo.
Jamaican dancehall icon Beenie Man also attended the event.
Hosted at Treehouse in Accra, Atalé was positioned as more than a conventional
runway show, bringing fashion into conversation with music, nightlife, personalities and
contemporary African culture. The format forms part of Entertainment Week Ghana’s
wider strategy of developing individual cultural properties that can grow independently
while remaining connected to the larger creative-economy platform.
Airwaves expands the platform into music and live experiences
Music was represented through the inaugural Airwaves Beach Festival at SI Beach,
staged in partnership with Lynx Entertainment. The programme combined live music
and DJ performances with producer-led sessions, wellness activities, masterclasses
and wider industry conversations, creating an experience that connected entertainment
with professional and cultural development.
Tuesday, 6 October 2026
Ibiza 233 Festival is bringing the spirit of Ibiza to Accra this December
Thursday, 3 September 2026
GEAUSA 2026 announces nominees as voting opens August 31st
UWA Captures the Rush of Falling in Love on New Single “Fallin”
emotionally charged record about vulnerability,
attraction, and giving in to feelings.
Emerging artist UWA is set to release “Fallin,” a
smooth and emotionally resonant new single
that explores the intoxicating feeling of catching
feelings and slowly surrendering to someone
who has captured your attention.
Produced around warm, atmospheric sonics and
infectious melodies, “Fallin” finds UWA in a
vulnerable space, reflecting on the uncertainty
that comes with developing genuine feelings.
The song captures that moment when attraction
begins to evolve into something deeper—when
keeping your emotions in check becomes
increasingly difficult and falling for someone
starts to feel inevitable.
Rather than presenting love as perfectly
straightforward, UWA embraces the tension that
comes with it. “Fallin” explores the excitement,
vulnerability, and uncertainty of opening yourself
up to another person while knowing there is
always the possibility of getting hurt.
Thursday, 27 August 2026
Beyond Brand Influence: How African creators are shaping policy and governance – the role of Influencer Africa
Westhanboyz back with a new chune NITRO.
Saturday, 22 August 2026
Kay Kamz makes her mark with three 2026 Emerit Music Awards nominations
Friday, 21 August 2026
A MOVING BODY OF WORK ROOTED IN RESILIENCE, FAITH, AND PURPOSE
Tuesday, 18 August 2026
Quamel returns with addictive new single ‘Intent’

















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